Uneinsamkeiten / Unsolitudes: White Way Photo Studio

Showing posts with label White Way Photo Studio. Show all posts

Friday, March 11, 2011

Uncle Chaelies bold head

White Way Photo Studio, 1341 Broadway, New York City

Postcard, no stampbox

Contribution to this blog by Chris Hefner, Chicago. He is working up an online archive of his own photo collection. Please have a look here.

Thursday, September 4, 2008

Émile Cohl and his son André

White Way Photo Studio, 1341 Broadway, New York City
1913
© Famille Courtet-Cohl
http://www.emilecohl.com/

Thursday, August 28, 2008

Addie Andrews

White Way Photo Studio, 1341 Broadway, New York City
Postcard
Collection Heinz-Werner Lawo

Monday, July 14, 2008

White Way Photo Studio, 1341 Broadway, New York City Post card Courtesy: Collection Beverly and Jack Wilgus Please visit their own presentation at: http://www.flickr.com/photos/20939975@N04/2667397945/

Intention

This blog is an online exhibition of an especial mirror photography motive. It is a freely resource for photo collectors, art historians or those who care in research. From the invention of this motive – named ‘Photo-Multigraph’ in the beginning about 1893 – it will show the rise and decline of these Fivefold-Portrait-Motive until today when only a few specialists know about it. If you do have a Fivefold-Portrait in your collection or in your family photo archive and want to support my ongoing research by adding it to this exhibition please contact me.
If you want to use these images please respect the rights and interests of other collectors. The material might be copyrighted. If possible I will always present my sources or arrange a contact to the owner.

Literature:

Blunck, Lars: Chimären im Spiegel, Anmerkungen zur sogenannten Multifotografie, in; Fotogeschichte, Jg. 24, Heft 94, Dezember 2004, S.3-14
Dane, Jacques: One can look at seeing, Kleine psychologie van een foto, in: Nederlands Fotogenootschap Nieuwsbrief, Nr.47, Juli 2005, S.19-21
Lawo, Heinz-Werner: Ansichtssache, in: Mitteilungen der Unterlagenforschung, Nr.1, Berlin 1992. Siehe auch: http://mitteilungenderunterlagenforschung.blogspot.com/2007/08/mdu-1-ansichtssache.html
Lawo, Heinz-Werner: Der sich selbst beobachtende Beobachter im Selbstgespräch - beobachtet, in: Blickmaschinen oder wie die BIlder entstehen. Die zeitgenössische Kunst schaut auf die Sammlung Werner Nekes (Kat.), Museum für Gegenwartskunst Siegen, Siegen 23.11.2008-10.05.2009, S. 251-258
McManus, James W.: Mirrors, TRANS/formation and Slippage in the Five-Way Portrait of Marcel Duchamp. In: The Space Between, Literature and Culture 1914-1915, Volume 4:1, 2008, p.125-149
McManus, James W.: Trucage photographique et déplacement de l'objet, À propos d'une photographie de Marcel Duchamp prise devant un miroir à charnières (1917), in: Les Cahiers du Musée national d'art moderne, Nr. 92, Juli 2005
Reichstein, Irwin: A Multigraph from Montreal, in: Photographic Canadiana 33-1, Mai/Juni 2007, S.12-17
Schmidt, Gunnar: Zentrorama - Im Raum der Blicke, in: artnet Magazin, 18.März 2008, www.artnet.de
Stauffer, Serge: Marcel Duchamp in Polen, Die Papierek Iakmuswy von S.I. Witkiewicz 1921, in: Sondern, hrg.v. Dieter Schwarz, Nr.7, Zürich 1986

Uneinsamkeiten / Unsolitudes

Friday, March 11, 2011

Uncle Chaelies bold head

Thursday, September 4, 2008

Émile Cohl and his son André

Thursday, August 28, 2008

Addie Andrews

Monday, July 14, 2008

Unknown man with hat

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