Kay Boyle

Reproduction of a postcard in: Sandra Whipple Spanier, Kay Boyle, Artist and Activist, Southern Illinois University Press, 1986, Fig. 3: "Kay Boyle, souvenir photo taken in Atlantic City, circa 1906, Collection of Kay Boyle"
Thanks to James W. McManus for the hint.

Superior Cloth Headwear - The Argyle

Advertisement for hats and caps by: I. H. Dinner, Manufacturer of Superior Cloth Headwear, 117 Summer Street, Boston,
in: The Hatter, Vol. 24, No. 5, Dec. 1894, Holiday Number, p. 83,
and Vol. 24, No.6, Jan. 1895, p. 101 
The Photo-Multigraph was probably made by F. F. Dunshee & A. E. Hill. Their Studio at 22 Winter Street in Boston was nearby.
Winter Street is the extension of the Summer Street.

Dr. Trenkler & Co. Leipzig

Photolithography (63 x 109 mm) on a used and undivided postcard
mailed in France on January 29, 1903
Publisher: Dr. Trenkler Co., Lipsia. "Studi Artistici Serie B No. 4"
Collection Heinz-Werner Lawo

Jackson's Spectregraph Photos

Bradford D. Jackson, 103 Monroe St., Grand Rapids, Mich.
Portrait of Frances Orpha Magher at the age of 5-6
Cabinet Card, ca. 1895
"JACKSON'S Spectregraph Photos.
The Most Attractive Style of Portrait ever introduced.
Five different pictures without changing the position.
All made at one sitting."
Collection Heinz-Werner Lawo

B.D. Jackson (ca.1850-1937) was born in Sullivan, Ohio; the "B" stood for Bradford, and the "D" came from his nickname Dan. He began his career as a portrait photographer in Grand Rapids, Michigan. In 1901, in search of a better climate, he moved to Pomona, California where he purchased a portrait studio. In addition to portrait work, he began photographing the surrounding towns and the mountains and beaches of Southern California. Jackson lived and worked at various times in Pomona, Los Angeles,Pasadena, Hollywood, La Canada, Glendora, La Crescenta, and Glendale, all of which figure in his work. Eventually he gave up the portrait aspect of the business and concentrated on landscape views for the production of stereographs and postcards.
The B. D. Jackson Collection of Negatives and Photographs ist archived at the the Huntington Library.

B. D. Jackson used the portrait of Frances O. Magher for advertisement. He printed a rasterized photo on a note which he glued onto the back of other cabinet card portraits he made. The ad says: “Five different Pictures all taken at one time without changing the position”.

UNITED STATES PHARMACOPŒIAL CONVENTION

"Who Will be Chairman of the U. S. P. Committe of Revision? - This was the question some months ago, but at the Washington Convention, May 10, 1910, the only chairman to be seen was Joseph Price Remington. Some saw one side of him and some another, but all recognized him as the man to succeed himself as chairman."
Meyer Brothers Druggist, Vol. 31, 1910, p.197

 "In the Group of Prominent Pharmacists seated around the table in the above picture, we have, reading from left to right: 1. Chairman Board of Trustees, U. S. P. C.  2. Chairman, Council, A. Ph. A.  3. Professor, Pittsburg College of Pharmacy.  4. Editor, Midland Druggist.  5. Ex-president Ohio Ph. A.  They can all be reached by addressing Dr. James Hartley Beal, Scio, O."
Meyer Brothers Druggist, Vol. 31, 1910, p.242

"WHO 'THEY' ARE: Dr. Harvey Washington Wiley, president of the United States Pharmacopoeial Convention (1); president American Therapeutic Society (2); president Cosmos Club, Washington, D.C. (3); vice-president Society of Chemical Industry of England (4); and chairman Board of Food and Drug Inspection, Department of Agriculture, U.S. Goverment (5)."
Meyer Brothers Druggist, Vol. 31, 1910, p.277

"He Watches the Money Bags From all Sides: Samuel L. Hilton, treasurer of the United States Pharmacopoeial Convention, is also secretary of the District of Columbia Board of Pharmacy, a member of the Board of Examiners of the National College of Pharmacy, president of the local branch of the A. Ph. A. and proprietor of a prosperous retail pharmacy. He, however, manages to watch from all sides the various interests entrusted to him."
Meyer Brothers Druggist, Vol. 31, 1910, p.340

Bear Chief - Photo-Multigraph

"Bear Chief, Photo-multigraph (of five positions at one sitting)
by Mr. J. D. Bancker, No. 98 Sixth Avenue, New York"
Reproduction in: Forest and Stream, Vol. 46, No. 13, March 28, 1896, p. 251

Enos P. Baker 1897

Reproduction of a Photo-Multigraph in:
Keith F. Davis, An American Century of Photography, From Dry-Plate to Digital, The Hallmark Photographic Collection, Second Edition, Revised and Enlarged, Published in 1999 by Hallmark Cards, Inc., Kansas City, Missouri, p.25, fig.19
"J.P. Blessing & Co., Photo-Multigraph of Enos P. Baker, 1897"
The Hallmark Photographic Collection

GEORGE M. HAWKS for STATE SENATOR

Election poster printed on cardboard. Size 56,0 x 35,5 cm, 1952

A progressive Bennington business man for half a century.
GEORGE M. HAWKS FOR STATE SENATOR
FROM BENNINGTON COUNTY
Member of the County Farm Bureau for more than 20 years.
HIS QUALIFICATIONS FOR THE OFFICE ARE WELL KNOWN.
Thirty petitions by his friends including the signatures of 508 voters have been filed with the County Clerk ... Can these 508 voters who have certified to his qualifications, scattered throughout the 16 towns of Bennington County be wrong in their judgement?
The Primary Election Day in Your Town is SEPTEMBER 9, 1952
Under the Primary Law, TWO of the THREE candidates receiving the largest vote will be nominated ... It is the duty of every citizen to cast his or her ballot at EVERY Election and vote for the candidate considered to be the best qualified for the office he seeks.
Be a loyal Vermonter and go to the polls at the Primary Election to be held
SEPTEMBER 9, 1952 and the General Election NOVEMBER 4, 1952
Government is no better than the honesty, ability and integrity of the candidate you elect to office.
Collection Heinz-Werner Lawo

Popular Mechanics Magazine 1928

"Five Photos in One Exposure
On the Atlantic City boardwalk a photographer makes use of a clever device for simultaneously producing five different views of the same subject on the same photo with only one exposure. The method is simple: Two large mirrors are placed together like the covers of a half-open book, with their reflecting surfaces facing each other. The angle formed by the mirrors is about 40°. A small triangular table is fitted into the space between the mirrors, and the subject to be photographed sits at the table facing the mirrors, which produces four reflections at a point a few feet behind the subject.
Bennie Agron, Atlantic City, N. J." In: Popular Mechanics Magazine, Vol. 50, December 1928, No. 6, P. 1031

Officer Wesolowski

Petersburg, about 1915
Collection Ewa Franczak & Stefan Okolowicz, Warszawa
Reproduction in: Witkacy, Metaphysical Portraits, Photographs by Stanislaw Ignacy Witkiewiecz with Essays by Urszula Czartoryska and Stefan Okolowicz. Edited by T.O. Immisch, Klaus E. Göltz, Ulrich Pohlmann. Leipzig 1997, p. 43

Lucio Victorio Mansilla (1831-1913)

Galería Whitcomb, Buenos Aires, 1903
Courtesy: Manuel Rafael García-Mansilla

Alter Ego - C. A. Hughes

Reproduction of a tintype in:

Heinz K. Henisch, The Photographic Experience, 1839-1914, Images and Attitudes, The Pennsylvania State University, University Park, Pennsylvania, 1994, p.43, fig.2-26

Reproduction of a Multiphotograph

MULTIPHOTOGRAPHY.
A very pretty system of photography, enabling us to see ourselves as others see us, and affording opportunity for much range in the art of posing, is the multiphotograph. If an image is placed in front of two mirrors inclined to each other at an angle of 90°, three images will be produced in the mirror; at 60°, five images will be produced; and at 45° seven images; and if the mirrors are parallel, theoretically an infinite number of images will result.
In the process of photography which we illustrate advantage is taken of this to produce at one exposure a number of different views of the same subject. The person to be photographed sits with the back to the instrument, while in front of the face are two mirrors, set at the desired angle to each other, their inner edges touching. In the case illustrated these mirrors are inclined at an angle of 72°. Four images are produced. The exposure is made, and on the developed negative appear not only the back view of the subject, but also the four reflected images in profile and different three-quarter positions. The courses taken by the rays of light are determined by the law that the angle of incidence is equal to the angle of reflection. In the diagram we have traced the rays of light on their course from subject to mirror and back to the camera, giving a good idea of the relation of the images to the subject and of the five images to the focal plane, the virtual position of the images being further from the instrument than is the subject proper.
The gallery equipment for this class of work is shown in one of the views, while the appearance presented by a full length figure with the aid of the mirrors is shown in another cut. A very interesting illustration of what can be done by this process is presented by the reproduction of a photograph actually taken, where the interesting expression and marked characteristics of the face serve to bring into strong prominence the utility of this process for representing the human face.
It is obvious that simple as the process and idea appear, it might have many uses in the study of other forms of nature.

In: Scientific American, October 6, 1894, p.216

Cissy Fitzgerald (1873-1941)

Photo-Multigraph by H.L. Bostwick
Halftone reproduction in Walter E. Woodbury, Photographic Amusements, New York 1896.

Justin Harwood mailed this information to me about his great-grandmother: "Cissy Fitzgerald appeared in a number of famous London and Broadway performances under the successful Vaudeville manager George Edwardes. A Gaiety Girl was first performed at the Prince of Wales Theatre in London in 1893. George Edwardes then brought the performance and cast to New York in 1894 and it was a huge success. Cissy was known as the girl with the wink (a very sexually suggestive thing to do in Victorian London). The Foundling was another Broadway hit and was performed at Daly's Theatre New York in 1895. Cissy was one of the first actresses to be captured on film by Edison in 1896. Cissy then went on to become a prolific actress in Hollywood: she appeared in 70 films, starting with The Accomplished Mrs Thompson in 1914 and ending with Patricia Gets Her Man in 1937."

Advertisement by H.E. Bosworth, Springfield, Mass.

'The Photo-Multigraph gives you Four or Five Photographs in one: Front Views and Profiles. Made only by H.E. Bosworth. 380 Main Street, Springfield, Mass.'
Advertisement with a halftone reproduction of a portrait of an unknown man in:
Official Souvenir of the Twenty-eighth Annual Encampment of the Dep't of * Massachusetts * Grand Army of the Republic, and the sixteenth Annual Convention of the Department of Massachusetts Woman's Relief Corps. Held at Springfield. February 13th and 14th, 1895. P.41.
http://www.archive.org/stream/officialsouvenir00gran (Search 'Multigraph')

Unknown man - All five the same

L.H. Doremus, earliest halftone reproduction. Found by

Irwin Reichstein in: Photographic Times, June 1, 1894, p.345

Back of a cabinet card by L.H. Doremus, Photographer

240 Main Street, Paterson, N.J.