The photo belongs to the family papers of her great granddaughter. She wrote to me: "My great grandmother got married in 1907. It means that the photo was made later. [Because of the ring on her finger]. She worked in a photographic studio of Julius Steinberg in St.-Petersburg on Nevski Prospect. My great grandfather worked there too. When they got married they rent a house in Terrioki (it was Finland then) and there they made there own photographic studio. As I learned they also had a photographic studio in Kuokkala. I don't know where this photo was made." Please visit her own Blog:
Postcard with stampbox: ARTURA Writing in Catalan: "Juan Palau / Recorts a tutom y una abrasada / Nay el mando aquesta pustal am lo meu retrato perque [?] que no hos he oblidad del tot / Sebastia Palau" (Juan Palau /Regards to everyone and best wishes / I am sending this postcard with my portrait for [you to see {?}] that I have not entirely forgotten you / Sebastia Palau) Collection Heinz-Werner Lawo
Reproduction in: Blickmaschinen oder wie die Bilder entstehen. Die zeitgenössische Kunst schaut auf die Sammlung Werner Nekes (Cat.), Museum für Gegenwartskunst Siegen 2008, p.250
Jack Kelly rode as a jockey in local race meetings in his early 20s. He and his wife Violet later became successful performers with Wirth’s Circus. The couple formed a double act "Kelly and Kelly" with Violet lauded as "The only lady stockwhip cracker in the world". They toured Europe and North and South America. Jack Kelly died in Buenos Aires.
This blog is an online exhibition of an especial mirror photography motive. It is a freely resource for photo collectors, art historians or those who care in research. From the invention of this motive – named ‘Photo-Multigraph’ in the beginning about 1893 – it will show the rise and decline of these Fivefold-Portrait-Motive until today when only a few specialists know about it. If you do have a Fivefold-Portrait in your collection or in your family photo archive and want to support my ongoing research by adding it to this exhibition please contact me. If you want to use these images please respect the rights and interests of other collectors. The material might be copyrighted. If possible I will always present my sources or arrange a contact to the owner.
Heinz-Werner Lawo
Kurfuerstendamm 150 II
10709 Berlin
Germany.
For mailing me please follow the link below and click on "E-Mail".
Um mir zu mailen, folgen Sie bitte dem unteren Link und klicken Sie auf "E-Mail".
Blunck, Lars: Chimären im Spiegel, Anmerkungen zur sogenannten Multifotografie, in; Fotogeschichte, Jg. 24, Heft 94, Dezember 2004, S.3-14
Dane, Jacques: One can look at seeing, Kleine psychologie van een foto, in: Nederlands Fotogenootschap Nieuwsbrief, Nr.47, Juli 2005, S.19-21
Lawo, Heinz-Werner: Ansichtssache, in: Mitteilungen der Unterlagenforschung, Nr.1, Berlin 1992. Siehe auch: http://mitteilungenderunterlagenforschung.blogspot.com/2007/08/mdu-1-ansichtssache.html
Lawo, Heinz-Werner: Der sich selbst beobachtende Beobachter im Selbstgespräch - beobachtet, in: Blickmaschinen oder wie die BIlder entstehen. Die zeitgenössische Kunst schaut auf die Sammlung Werner Nekes (Kat.), Museum für Gegenwartskunst Siegen, Siegen 23.11.2008-10.05.2009, S. 251-258
McManus, James W.: Mirrors, TRANS/formation and Slippage in the Five-Way Portrait of Marcel Duchamp. In: The Space Between, Literature and Culture 1914-1915, Volume 4:1, 2008, p.125-149
McManus, James W.: Trucage photographique et déplacement de l'objet, À propos d'une photographie de Marcel Duchamp prise devant un miroir à charnières (1917), in: Les Cahiers du Musée national d'art moderne, Nr. 92, Juli 2005
Reichstein, Irwin: A Multigraph from Montreal, in: Photographic Canadiana 33-1, Mai/Juni 2007, S.12-17
Schmidt, Gunnar: Zentrorama - Im Raum der Blicke, in: artnet Magazin, 18.März 2008, www.artnet.de
Stauffer, Serge: Marcel Duchamp in Polen, Die Papierek Iakmuswy von S.I. Witkiewicz 1921, in: Sondern, hrg.v. Dieter Schwarz, Nr.7, Zürich 1986